There’s always a story to the best meals, isn't there? and the best dinners create as well as build on them, in leaps and bounds and by stealth. There are the myths (did dad really always sneakily grab twice as many roast potatoes as everyone else then look askance when called on it? Did I … Continue reading Seeing out the old, in the shadow of the new
VarroVerse, the third publication: Varro, and the Red Queen problem... (2010-2015) ‘Urban flux: Varro’s Rome-in-progress’, in The Moving City: Processions, Passages and Promenades in Ancient Rome. In Östenberg, I., Malmberg, S., and Bjørnebye, J. 2015 (eds.). London: Bloomsbury, pp. 99-110. Background In 2010 I received an intriguingly well-timed invitation from Ida Östenberg, Simon Malmberg, and … Continue reading Three great luminaries… (or, ‘how I wrote the book’), Part IV
VarroVerse, the second publication: Rome, movement, language, and Varro (2008-2011) ‘Movement and the Linguistic Turn: Reading Varro’s de Lingua Latina’. In Laurence, R. and Newsome, D. J. 2011 (eds.) Rome, Ostia, Pompeii: Movement and Space. Oxford: Oxford University Press, pp. 57-80. Background Some might argue that I’ve written these blog posts out of sequence. I say, stories … Continue reading Three great luminaries… (or, ‘how I wrote the book’), Part III
VarroVerse, the first publication: Cultural Memory and Varro (2009-2011) ‘“῾Ρωμαίζω… ergo sum”: becoming Roman in Varro’s de Lingua Latina’. In Bommas, M. (ed.) Cultural Memory and Identity in Ancient Societies. London: Continuum, pp. 43-60. Background In 2009, the Department took cultural memory* as a research theme, and I was invited to give a paper as part … Continue reading Three great luminaries… (or, ‘how I wrote the book’), Part II
[M. Terentius Varro] Any discussion of the Roman Republic will sooner or later turn to figures such as Cicero and Julius Caesar, but this was an era of complex characters well equipped with great ambitions. It was also a time of intense creativity, and its volatile politics reflected a cultural upheaval that was as exciting … Continue reading Three great luminaries…(or, ‘how I wrote the book’), Part I
Because this extensive and thoughtful piece says everything I’d say, but better.
This isn’t the Summer of Love; it may be the Summer of Bad-Tempered Arguments About Classics and Racism. Over in the US, Sarah Bond‘s articles on the ‘white-washing’ of classical statues – that is, why do we think of them in terms of gleaming white marble when they were actually painted? – have provoked a furious backlash from the far right, including death threats.* In the UK, an alt-right blogger objected to the fact that a BBC educational cartoon on life in Roman Britain included black people – “I mean, who cares about historical accuracy, right?” – and was carefully schooled by @MikeStuchbery_, Matthew Nicholls from Reading, Mary Beard and others – with the result that Mary, at least, now seems to be spending six hours a day responding to people on Twitter about this.
What is surprising about these two arguments is that the substantive issues – ancient…
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Twelve students, three academics, and over two millennia of art, literature, architecture. Our Liberal Arts and Natural Sciences Rome trip 2016!