VarroVerse, the third publication: Varro, and the Red Queen problem... (2010-2015) ‘Urban flux: Varro’s Rome-in-progress’, in The Moving City: Processions, Passages and Promenades in Ancient Rome. In Östenberg, I., Malmberg, S., and Bjørnebye, J. 2015 (eds.). London: Bloomsbury, pp. 99-110. Background In 2010 I received an intriguingly well-timed invitation from Ida Östenberg, Simon Malmberg, and … Continue reading Three great luminaries… (or, ‘how I wrote the book’), Part IV
VarroVerse, the first publication: Cultural Memory and Varro (2009-2011) ‘“῾Ρωμαίζω… ergo sum”: becoming Roman in Varro’s de Lingua Latina’. In Bommas, M. (ed.) Cultural Memory and Identity in Ancient Societies. London: Continuum, pp. 43-60. Background In 2009, the Department took cultural memory* as a research theme, and I was invited to give a paper as part … Continue reading Three great luminaries… (or, ‘how I wrote the book’), Part II
[M. Terentius Varro] Any discussion of the Roman Republic will sooner or later turn to figures such as Cicero and Julius Caesar, but this was an era of complex characters well equipped with great ambitions. It was also a time of intense creativity, and its volatile politics reflected a cultural upheaval that was as exciting … Continue reading Three great luminaries…(or, ‘how I wrote the book’), Part I
I love the frisson of terror that live theatre produces. For me, in the audience, it's as thrilling as a high-wire act to see people transformed by stepping into performance space, becoming something entirely other to their everyday selves. Will that transformation stick? Will I suspend or wallow in my disbelief? Will some element of the … Continue reading Shepherding thought (and a coda from Varro)
Is Inferno Circle 5 the ‘happy medium’?
Journeys to “Rome” (what and where and whose is Rome?) more than to any other city are characterised by a remarkable depth and intensity in their narrative dimension. Although the printing press made dissemination of itineraries possible, and the survival of a sample at least suggests their popularity, guidebooks to Rome were far from a pop-cultural … Continue reading Prequel / a tiny Grand Tour
I used to think it was a terrible thing to feel out of place; you know, perhaps, that sense that one is subtly (or totally) out-of-step with the world? That was how I spent much of my childhood; teenage years at school didn't bring huge respite, despite some lovely class-mates. I still just seemed to … Continue reading unheimlich